![]() The boy waits in the foyer as preparations for the event continue. ![]() The boy apparently usually lives with his grandmother, not Anna. Anna appears and embraces her son, commenting on how much more like a man he now is than he was the last time she saw him a year ago. The manager seems shocked by the idea of the boy staying with his mother, but it isn't immediately clear why. The grandmother is on her way back to Santa Catarina, Brazil. She questions the boy who says that his grandmother left him there to stay with his mother. The boy is escorted off to a side room by the manager. Meanwhile, many women in the house are hard at work preparing for what appears to be an important upcoming event, cleaning and arranging flowers. After being told about the letter for Anna, the boy's mother, the manager dispatches the first woman to find Anna. The older man, who appears to have traveled back in time to observe, watches them although they apparently can't see him.Īfter they enter the house, another woman who appears to be serving as a business manager greets them. The younger woman escorts the boy into the house. His grandmother, who has continued to watch discreetly from a distance, leaves the area once she knows he has been admitted. He gives her the letter, saying it is for his mother, and she lets him in. The gate is locked but a woman greets the boy. They came near the gate of the same mansion the older man visited 45 years later, and the grandmother leaves the boy there. The older woman produces a letter and asks the boy to give it to his mother. The scene shifts to some 45 years earlier where a twelve year old boy is being escorted on foot from a train station by his grandmother. ![]() It is apparently abandoned with empty rooms but has an aura of past opulence. He is alone as he starts wandering through the rooms of the mansion. Plot Īn older man wearing a business suit is dropped off at a mansion by his driver. Fischer won the Best Actress Award at the 15th Festival de Brasília as well as the Air France Award. The film stars Vera Fischer, Tarcísio Meira, Xuxa Meneghel, and Matilde Mastrangi. The couple have a daughter named Isabella and live in Atibaia.Love Strange Love ( Portuguese: Amor Estranho Amor) is a 1982 Brazilian erotic crime drama film written and directed by Walter Hugo Khouri. Mastrangi is married to actor Oscar Magrini whom she met during the shooting of Uma Ilha Para Três, in 1980. Īfter the fading of pornochanchada in popularity, she passed to other genres, including all films directed by Guilherme de Almeida Prado such as Perfume de Gardênia (1992). She posed for February 1984 issue of Playboy Brasil. She was cast in the later-to-be controversial film Amor Estranho Amor (1982) where she plays Olga, a cougar-like prostitute who took an interest in the young protagonist, Hugo, played by then 11 year old Marcelo Ribeiro and was the first prostitute to make her move on young Hugo. She became a popular figure of pornochanchadas and during these years, she was considered as one of the most important actresses of the genre along with Helena Ramos and Aldine Müller. ![]() She continued her acting career with films like Bacalhau (1976). Mastrangi made her acting debut in 1974 with As Cangaceiras Eróticas, an erotic comedy by Roberto Mauro. In 1971, singer Wanderley Cardoso arranged her to work as a dancer on Silvio Santos TV show. Mastrangi was originally a photomodel who also posed for the magazine Sétimo Céu. ![]() Matilde Raspa Mastrangi (born 18 March 1953 in São Paulo, Brazil) is a Brazilian actress. ![]()
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